A New View
"You must do the thing you think you cannot do." -Eleanor Roosevelt
Yesterday, I had an interview for a job at Columbia University in the African American Studies department. While interviewing with the director, he asked me,"How do you see this job helping you to be where you want to be in the next five years?" Part of what I answered was like a little dance that you do for interviews, but part of it was a naked truth. I told him art was ultimately what my passion was. Administrative work is not my passion in the slightest, but I have experience in that area, and I am good at it, so why not do it a place that you can derive meaning from? His immediate response was, "I am a firm believer that no one has to work at anything that doesn't give meaning to his life." This is a man who I came to believe during our half hour meeting that has an ideal life. He not only does the work that he derives the most meaning from, but as a result is filled with love and respect for people's lives and culture. He is a man of both power--power to do what he most wants to do in this world and of service--service to his community and to the world.
Regardless, if I get the job or not, I felt I was in the presence of a great teacher and a person of example. I went home with some of his light glowing in me. More and more, I feel that if we do not do the thing we are most wanting to do or called to do, we are leaching the world of resource and not giving back to it.
I've been struggling with this subject, in one way or another, my whole life--how to make a life I love, not just from 5am to 8am and 5pm to 10pm, but all day, every day. I was taught early on that my art was great, but it wasn't "real work." This was also coupled by the belief system that it was selfish or unattractive to want anything.
In my twenties, I just assumed I would never be an artist full-time--that was an artist's plight in life. You have your day job, and then the rest is up to you. The people who were doing art full-time were "lucky" or beyond my talent range or were freaks of nature. I never believed that perhaps I could be that lucky, or have that much talent, or be one of the "freaks." So I never learned how to believe and build anything. I've gone from job to job, always doing art on the side. And because the job wasn't my "true work" and because I was also taught that it was selfish to have any money, I've always worked at poor-paying jobs. So, I have been spending my life undernourished. I think I need a new set of glasses to see a different perspective. I want to maybe think that what is emerging here in New York, is perhaps not just a new city to live in, but a new way of life.
And what if, suddenly, this one way I know how to make a living, vanished? What if I couldn't do administrative work ever again? Then what?
I was upset this morning, because the temp job way of making money has dried up considerably and I was scared. When Graham suggested playing music in the subway, I got hysterical. I said, "I don't want to do it! It's a step up from begging! It's scary! It's COLD!" I should have just said, "I'm AFRAID I'm AFRAID I'm AFRAID." I don't know about you, but I seem to have the knack for avoiding the BEST THING I could possibly do. When he left, I did yoga and then looked at the guitar. Suddenly, I remembered the feeling of walking in New York with the guitar last week--how I felt strong and more myself than ever. And wouldn't you know it--the minute I decided to pack up the guitar, I got this electric feeling all over my body. I am DOING IT.
After I finish typing this, I am heading down into the subway. I am putting on a new pair of glasses and I am going to do something that has meaning for me, that I am good at, and that yes, might lead me towards a new way of seeing.
Yesterday, I had an interview for a job at Columbia University in the African American Studies department. While interviewing with the director, he asked me,"How do you see this job helping you to be where you want to be in the next five years?" Part of what I answered was like a little dance that you do for interviews, but part of it was a naked truth. I told him art was ultimately what my passion was. Administrative work is not my passion in the slightest, but I have experience in that area, and I am good at it, so why not do it a place that you can derive meaning from? His immediate response was, "I am a firm believer that no one has to work at anything that doesn't give meaning to his life." This is a man who I came to believe during our half hour meeting that has an ideal life. He not only does the work that he derives the most meaning from, but as a result is filled with love and respect for people's lives and culture. He is a man of both power--power to do what he most wants to do in this world and of service--service to his community and to the world.
Regardless, if I get the job or not, I felt I was in the presence of a great teacher and a person of example. I went home with some of his light glowing in me. More and more, I feel that if we do not do the thing we are most wanting to do or called to do, we are leaching the world of resource and not giving back to it.
I've been struggling with this subject, in one way or another, my whole life--how to make a life I love, not just from 5am to 8am and 5pm to 10pm, but all day, every day. I was taught early on that my art was great, but it wasn't "real work." This was also coupled by the belief system that it was selfish or unattractive to want anything.
In my twenties, I just assumed I would never be an artist full-time--that was an artist's plight in life. You have your day job, and then the rest is up to you. The people who were doing art full-time were "lucky" or beyond my talent range or were freaks of nature. I never believed that perhaps I could be that lucky, or have that much talent, or be one of the "freaks." So I never learned how to believe and build anything. I've gone from job to job, always doing art on the side. And because the job wasn't my "true work" and because I was also taught that it was selfish to have any money, I've always worked at poor-paying jobs. So, I have been spending my life undernourished. I think I need a new set of glasses to see a different perspective. I want to maybe think that what is emerging here in New York, is perhaps not just a new city to live in, but a new way of life.
And what if, suddenly, this one way I know how to make a living, vanished? What if I couldn't do administrative work ever again? Then what?
I was upset this morning, because the temp job way of making money has dried up considerably and I was scared. When Graham suggested playing music in the subway, I got hysterical. I said, "I don't want to do it! It's a step up from begging! It's scary! It's COLD!" I should have just said, "I'm AFRAID I'm AFRAID I'm AFRAID." I don't know about you, but I seem to have the knack for avoiding the BEST THING I could possibly do. When he left, I did yoga and then looked at the guitar. Suddenly, I remembered the feeling of walking in New York with the guitar last week--how I felt strong and more myself than ever. And wouldn't you know it--the minute I decided to pack up the guitar, I got this electric feeling all over my body. I am DOING IT.
After I finish typing this, I am heading down into the subway. I am putting on a new pair of glasses and I am going to do something that has meaning for me, that I am good at, and that yes, might lead me towards a new way of seeing.

4 Comments:
Summer, I hope you do well today--persistance is important. Your heart is big. Blessings to You.
Brenda
Hi Summer, your post rings true for me, as a mid-30's shadow artist working at an ad agency in NYC, which I loved by the way, but it didn't last in my heart. I think I even interviewed at Colmubia once. I have a few more miles on my tires, girl, so I hope this doesn't sound bossy. But please play your guitar. It will evolve into what it's going to be. I know this because when I sat up on the couch that nite after listening to Joseph Campbell and decided that was it, no more 'real' jobs, I was going to paint - well, I did just that. I did however have to accept all the choices that came with that decision - like selling a condo to live in a ramble shack but sweet house [which by the way two years later brought me a small [for me then] windfall that allowed me to buy another ram shackle that also brought me a small windfall], buy used clothes if I really needed them, no cable, etc. It all worked fine, I didn't miss anything I had to 'give up' becasue I was doing what I had chosen to do, not what I thought seemed right or safer or 'real' or something that would 'maybe get me somewhere if I just stick with it and do art on the side'...It was much scarier thinking about having to maybe give up some material comforts then, but ever since, I've never been afraid of giving up one comfort to follow or continue following what will make my art sing and thrive. That was 1995. You can see what evolved out of that. I love your voice and you're still on the play list right next to the Neil, Dylan and lately Little Sue [do you know her, I'll send you some if not]...rock on girl.
Hi Summer.
I found your post so fitting..
I chuckled the whole way through- not laughing at your pain by any means, but moreseo seeing my own behaviour in yours..
Often lately, I've found myself in all manner of conversations, where I have the internal realisation, that what I really mean to be saying is:
I'm afraid, I'm afraid!
-Somehow it seems much harder and scarier to say that, than the things we put in it's place..
I am reading a great book-
"I could do anything, if only I knew what it was"
By Barbara Sher.
Even for those that think they know want they want to do- but aren't doing it..
I'm only at the begining of it, but have found it immeasurabley helpful already.
Working out the messages recieved through growing up and life thereafter, about who we were supposed to be..
I realised I am actually very heavily bound up in these projections- and it has left me in this sort of paralysed state..
I AM the contradictions of other peoples expectations-
eg: bold but cautious.
Maybe it would be helpful for you to peruse over, and see what maybe is blocking you, from really doing what you love.
Good on you with facing up to your fear..
The book also has something interesting to say about this.
Something I need to heed-
When we face our fears, even if your worst fears do become manifest, we are still a success, and we feel that, and it changes something in us..
"Feel the fear and do it anyway" - that's one of my favorite and most effective mantras when faced with situations that scare me.
Busking in the subway takes a huge amount of courage. This is worse than fear of rejection because lots of people will rush past you and just ignore you. But I can tell you this, whenever I came across a good musician on the London Underground I cared to slow down and enjoy the tunes (accustics are fantastic in those tunnels) and almost haunting (in a nice way) atmosphere they invoked. And sometimes I'd give money - and that's another big question here, can you make a good amount of cash doing this? I have no idea.
Can't wait to hear about your experience; however it turned out you can be VERY proud to have jumped off this cliff.
Kerstin :)
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